LECTURE 5 · FEATURE WRITING · CLASS TASK

‘Unparalleled and Unprecedented’

With dozens dead and more wounded, journalists in Gaza have faced the deadliest six months ever recorded.

By John Daniszewski  ·  Nieman Reports — the Nieman Foundation for Journalism at Harvard University
April 4, 2024  ·  Genre: News feature + human interest  ·  ≈ 4,400 words
VERDICT YES — a strong, carefully built example of feature writing.
0
PORTRAITS of journalists who died
0
EXPERTS quoted across the world
0
DEAD in six months — more than one year worldwide since 1992

THE LECTURE QUESTION   Does it serve as a good example of feature writing? Why or why not?

Two Palestinian journalists in press vests embrace in mourning; colleagues of Saeed Al-Taweel and Mohammad Sobh, killed in airstrikes in Gaza, October 10, 2023
Relatives and colleagues of Palestinian journalists Saeed Al-Taweel and Mohammad Sobh, killed in airstrikes in Gaza, Oct. 10, 2023. — Mustafa Hassona / Anadolu via Getty Images
ANALYSIS 1 OF 3 · LANE DEGREGORY’S FRAMEWORK

CAST — the four ingredients

C

Characters

  • 13 named victims — age, job, family, last words.
  • 6 expert sources: Mansour (CPJ), Grant & Paterson (AP), Maroevic (IPI), Boudreaux (WSJ), Cantenys (ACOS).
  • The writer is a character too: shot three times in Romania, 1989.
A

Action

  • Journalists keep reporting “out of a sense of duty and a fatalism that nowhere is safe.”
  • Newsrooms respond: GPS tracking, remote device lock, armour, training.
  • The action is a relay: many people doing small brave things.
S

Setting

  • Gaza: Rimal, Khan Younis, Rafah, Nasr village — named, specific.
  • 140 sq. miles, 2 million people, 31,000 dead.
  • Hospitals, refugee camps, makeshift morgues — “even so-called safe areas were struck.”
T

Theme

  • One word: a WINDOW. “When journalists are killed, we lose the ability to understand and to document the war.”
  • Second strand: impunity — 22 years, 20 journalists killed in Gaza, “not one IDF soldier was punished.”
  • The human condition: courage, grief, and the price of bearing witness.
VERDICT ON CAST   All four are present and concrete — the setting is a place, not an idea, exactly as DeGregory demands. The weakest link is Action, which the article reports rather than dramatises.
ANALYSIS 2 OF 3 · WILLIAM BLUNDELL’S FOUR-STEP RHYTHM

Does it follow the rhythm?

1

Tease me, you devil

the soft lede that withholds

Opens on a number, not a name: “some 97 journalists… more journalist fatalities in one conflict zone in six months than have occurred in one year worldwide since 1992.” The comparison is strange — so the reader keeps scrolling. No explanation yet.

2

Tell me what you’re up to

why the reader should care

Paragraph two delivers the thesis: Gaza is not the story — “the war in Gaza is part of an alarming trend of the lack of accountability.” Ukraine, authoritarian governments, misinformation, impunity. Now the reader knows why to care.

3

Oh, yeah?

evidence that proves it

13 portrait paragraphs, CPJ casualty data, the IDF “Deadly Pattern” report, Shireen Abu Akleh’s case, plus six expert sources. Israel’s own explanation is given too — balance, not propaganda.

4

I’ll buy it

one line worth repeating

The last section asks the reader’s question aloud — “What can be done?” — and answers with one image: society becoming “a protective shield for journalists.” The title’s words are quoted back at us.

NEWS VALUES

how strongly each value is present in the feature
Impact
★★★★★
97 dead; journalism itself is the story
Human Interest
★★★★★
every victim named, aged, quoted
Timeliness
★★★★★
written while the war is live
Conflict
★★★★
reporters vs. combatants, and impunity
Oddity / Novelty
★★★★
“unparalleled and unprecedented”
Proximity
★★
global risk, distant for many readers
VERDICT ON STRUCTURE   All four steps are present, in order, and the opening quote is reused as the closing argument — the single strongest structural choice in the piece.
ANALYSIS 3 OF 3 · STRENGTHS, LIMITS, AND WHAT WE COPY

Our assessment

WHY IT WORKS

01

People, not statistics.

13 obituary-style portraits; eight of the thirteen carry a direct quote. Ayat Khadoura: “When the war ends, who’ll be left to tell people what happened to us?”

02

Every number is sourced.

97 / 95 / 140 sq. mi. / 2 million / 31,000 / 153 in Mexico — each tied to CPJ or a named authority.

03

Many voices, including the other side.

Families, editors, a freelancer, six officials — and Israel’s own explanation is quoted.

LIMITS

01

Second-hand reporting.

The author never reported from Gaza; he works from CPJ reports, relatives’ words and social posts — powerful, but one step removed from the scene.

02

A rhythm that repeats.

Thirteen portraits in the same shape can flatten the emotion; the reader’s feeling dulls by the eighth name.

03

A soft ending.

“Restore respect for journalism” is the right idea, but it gives the reader no action to take.

WHAT WE COPY

01

Build CAST first.

Before writing a word, decide who your character is, what happens, where it happens, and the one-word theme.

02

Give every main character one real quote.

Khadoura’s sentence is remembered. A quote is the cheapest way to make a person unforgettable.

03

Never write a number without its source.

CPJ, a ministry, a study. The article earns trust the same way Assignment 1 must.

04

End on one line you want repeated.

Daniszewski ends with a question and an image — not with a summary.

“What can be done?”

Daniszewski hands the question to the reader, and answers it with one image: society becoming a protective shield for journalists. A good feature does not close a door — it hands you a line you keep thinking about on the way home.

REFERENCES — APA 7
Daniszewski, J. (2024, April 4). ‘Unparalleled and unprecedented’. Nieman Reports, Nieman Foundation for Journalism at Harvard University. niemanreports.org
Varga, D. E. (2026). Online media studies 5 [Lecture slides]. Department course materials.
Committee to Protect Journalists. (2024). Journalist killings and arbitrary detentions. cpj.org
THANK YOU · QUESTIONS & DISCUSSION
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